Skip to main content

The Plaster Casts from the Rendlesham Craft Landing Site

Charles Halt discussing one of three plaster casts made by Jim Penniston the morning after the incident.

The Plaster Casts of the landing marks made by Jim Penniston's the morning after the incident.  In two recent UFO documentaries ("UFO Invasion At Rendlesham" & "Britain's Roswell") witness, Jim Penniston, displayed one of the plaster casts which he made of the landing marks. Three identical indentations in the shape of an equilateral triangle on the forest's floor were discovered after the initial event on the 25/26 December 1980. They were found in the same area where the Craft of Unknown Origin was sighted, so the witnesses assumed they were 'landing marks' left by the object. Jim Penniston visited the landing site later on in the morning and took three plaster casts of the landing traces.

The three indentations were equally 9.8 feet apart forming a perfect triangle. The same shape of the craft Jim recorded in his notebook while conducting a 45 minute investigation of the craft which included numerous photographs.   The photographs were dropped off at the base photo lab by Jim.  He was notified by the base photo lab that all of the pictures were fogged, meaning nothing was on the roll of film.





Popular posts from this blog

How the Rendlesham Forest Incident binary code message was received, revealed and decoded

“During the night I was often wakening with thoughts, or rather images, of visions of ones and zeros running through my mind, my mind’s eye…” – Jim Penniston, Encounter in Rendlesham Forest In 2010 it was revealed by Jim Penniston that he initiated a download of information when he touched the pictorial glyphs on the craft of unknown origin during his investigation in the early morning hours of December 26th, 1980, in Rendlesham Forest.   26-year-old Sgt. James Penniston was part of the three-man USAF Security Police team called to investigate the landed craft of unknown origin in Rendlesham Forest.  The men with Sgt. Penniston, were A1C John Burroughs and A1C Ed Cabansag.  Only Penniston and Burroughs went into the woods to investigate the landed craft, Cabansag stayed near the truck as a radio relay for the men. Cabansag watched the mysterious pulsating multicolored lights in forest, while his two team members headed out on foot.  As Penniston and Burroughs ap...

How the Rendlesham Binary Code Message AUTHENTICATES itself - by Gary Osborn

Those who are interested in the Rendlesham Forest Incident should have been informed by now that the Rendlesham binary code message, as claimed to have been received by first responder SSgt. Jim Penniston on Boxing Day morning, 1980, has finally been deciphered and that the seven sets of geographical coordinates found within the message, each and together, contain enough additional information that could fill three large volumes. In other words, a great deal of data – answers to some of the things that have had us mystified for centuries – has been encapsulated within just those seven sets of coordinates.  However, aside from all the additional data they contain, what follows is a short version summary as to how the Rendlesham Binary Code Message actually AUTHENTICATES itself, which was first presented in the last chapter of the book I co-authored with Jim Penniston titled, The Rendlesham Enigma , published in 2019. Think on this. Do not ignore it. What follows is factual and...

Glyphs on the Rendlesham Craft

INTERVIEWER :  WHEN WE TALKED ABOUT THIS A FEW YEARS AGO, YOU REMEMBERED, I THINK, SEEING SOME KIND OF SYMBOLS? JIM PENNISTON : "Yes, that is probably the most interesting part of it. I did  draw them into my notebook. That was part of the 360 (degree  examination) we were doing on the investigation because it was  not a downed aircraft at that point, but we knew we had  something out of the ordinary. You don't mind if I look at my  notes, do you? 'On this smooth exterior shell, there is writing  of some kind. I'm not sure what it is. Size 3-inch lettering.  May be symbols that stretch for a length of 2 feet. Maybe a  little more." JIM PENNISTON:   "The feeling after I touched these symbols, I would describe them  as like etched or engraved, like a diamond cut on glass. That  was the feeling of these. I guess etching would be the best way  to describe it." INTERVIEWER:    SO THE SYMBOLS WERE CUT INTO THE SURFACE,...